Roy, who is new to his small Florida community, becomes involved in another boy's attempt to save a colony of burrowing owls from a proposed construction site.
CARL HIAASEN was born and raised in Florida. He writes a column for the Miami Herald and is the author of many bestselling novels including Bad Monkey, Star Island, and Nautre Girl.
His books for younger readers include the Newbery Honor winner Hoot, as well as Flush, Scat, and Chomp. Skink&;No Surrender was Hiaasen's first book for teens and features one of his most iconic characters, the reclusive ex-governor of Florida now known as Skink.
You can read more about Hiaasen's work at carlhiaasen.com.
Gr. 5-8. It seems unlikely that the master of noir-tinged, surrealistic black humor would write a novel for young readers. And, yet, there has always been something delightfully juvenile about Hiaasen's imagination; beneath the bent cynicism lurks a distinctly 12-year-old cackle. In this thoroughly engaging tale of how middle-schooler Roy Eberhardt, new kid in Coconut Cove, learns to love South Florida, Hiaasen lets his inner kid run rampant, both the subversive side that loves to see grown-ups make fools of themselves and the righteously indignant side, appalled at the mess being made of our planet. When Roy teams up with some classic children's lit outsiders to save the home of some tiny burrowing owls, the stage is set for a confrontation between right-thinking kids and slow-witted, wrongheaded civic boosters. But Hiaasen never lets the formula get in his way; the story is full of offbeat humor, buffoonish yet charming supporting characters, and genuinely touching scenes of children enjoying the wildness of nature. He deserves a warm welcome into children's publishing. ((Reviewed October 15, 2002)) Copyright 2002 Booklist Reviews
The straight-arrow son of a maybe-federal agent (he's not quite sure) turns eco-terrorist in this first offering for kids from one of detective fiction's funniest novelists. Fans of Hiaasen's (Basket Case, 2001, etc.) novels for adults may wonder how well his profane and frequently kinky writing will adapt to a child's audience; the answer is, remarkably well. Roy Eberhardt has recently arrived in Florida; accustomed to being the new kid after several family moves, he is more of an observer than a participant. When he observes a bare-footed boy running through the subdivisions of Coconut Grove, however, he finds himself compelled to follow and, later, to ally himself with the strange boy called Mullet Fingers. Meanwhile, the dimwitted but appealingly dogged Officer Delinko finds himself compelled to crack the case of the mysterious vandals at the construction site of a new Mother Paula's All-American Pancake House-it couldn't have anything to do with those cute burrowing owls, could it? The plot doesn't overwhelm with surprises; even the densest readers will soon suss out the connections between Mullet Fingers, the owls, and Mother Paula's steadfast denial of the owls' existence. The fun lies in Hiaasen's trademark twisted characters, including Dana Matherson, the class bully who regularly beats up on Roy and whose unwitting help Roy wickedly enlists; Beatrice Leep, Mullet Fingers's fiercely loyal sister and co-conspirator; Curly, Mother Paula's hilariously inept foreman; and Roy's equally straight-arrow parents, who encourage him to do the right thing without exactly telling him how. Roy is rather surprisingly engaging, given his utter and somewhat unnatural wholesomeness; it's his kind of determined innocence that sees through the corruption and compromises of the adult world to understand what must be done to make things right. If the ending is somewhat predictable, it is also entirely satisfying-Hoot is, indeed, a hoot. (Fiction. 10-14) Copyright Kirkus 2002 Kirkus/BPI Communications.All rights reserved
Roy would not have noticed the strange boy if it weren't for Dana Matherson, because Roy ordinarily didn't look out the window of the school bus. He preferred to read comics and mystery books on the morning ride to Trace Middle.
But on this day, a Monday (Roy would never forget), Dana Matherson grabbed Roy's head from behind and pressed his thumbs into Roy's temple, as if he were squeezing a soccer ball. The older kids were supposed to stay in the back of the bus, but Dana had snuck up behind Roy's seat and ambushed him. When Roy tried to wriggle free, Dana mushed his face against the window.
It was then, squinting through the smudged glass, that Roy spotted the strange boy running along the sidewalk. It appeared as if he was hurrying to catch the school bus, which had stopped at a corner to pick up more kids.
The boy was straw-blond and wiry, and his skin was nutbrown from the sun. The expression on his face was intent and serious. He wore a faded Miami Heat basketball jersey and dirty khaki shorts, and here was the odd part: no shoes. The soles of his bare feet looked as black as barbecue coals.
Trace Middle School didn't have the world's strictest dress code, but Roy was pretty sure that some sort of footwear was required. The boy might have been carrying sneakers in his backpack, if only he'd been wearing a backpack. No shoes, no backpack, no books-strange, indeed, on a school day.
Roy was sure that the barefoot boy would catch all kinds of grief from Dana and the other big kids once he boarded the bus, but that didn't happen....
Because the boy kept running-past the corner, past the line of students waiting to get on the bus; past the bus itself. Roy wanted to shout, "Hey, look at that guy!" but his mouth wasn't working so well. Dana Matherson still had him from behind, pushing his face against the window.
As the bus pulled away from the intersection, Roy hoped to catch another glimpse of the boy farther up the street. However, he had turned off the sidewalk and was now cutting across a private yard-running very fast, much faster than Roy could run and maybe even faster than Richard, Roy's best friend back in Montana. Richard was so fast that he got to work out with the high school track squad when he was only in seventh grade.
Dana Matherson was digging his fingernails into Roy's scalp, trying to make him squeal, but Roy barely felt a thing. He was gripped with curiosity as the running boy dashed through one neat green yard after another, getting smaller in Roy's vision as he put a wider distance between himself and the school bus.
Roy saw a big pointy-eared dog, probably a German shepherd, bound off somebody's porch and go for the boy. Incredibly, the boy didn't change his course. He vaulted over the dog, crashed through a cherry hedge, and then disappeared from view.
"Whassamatter, cowgirl? Had enough?"
This was Dana, hissing in Roy's right ear. Being the new kid on the bus, Roy didn't expect any help from the others. The "cowgirl" remark was so lame, it wasn't worth getting mad about. Dana was a well-known idiot, on top of which he outweighed Roy by at least fifty pounds. Fighting back would have been a complete waste of energy.
"Had enough yet? We can't hear you, Tex." Dana's breath smelled like stale cigarettes. Smoking and beating up smaller kids were his two main hobbies.
"Yeah, okay," Roy said impatiently. "I've had enough."
As soon as he was freed, Roy lowered the window and stuck out his head. The strange boy was gone.
Who was he? What was he running from?
Roy wondered if any of the other kids on the bus had seen what he'd seen. For a moment he wondered if he'd really seen it himself.
That same morning, a police officer named David Delinko was sent to the future site of another Mother Paula's All-American Pancake House. It was a vacant lot at the corner of East Oriole and Woodbury, on the eastern edge of town.
Officer Delinko was met by a man in a dark blue pickup truck. The man, who was as bald as a beach ball, introduced himself as Curly. Officer Delinko thought the bald man must have a good sense of humor to go by such a nickname, but he was wrong. Curly was cranky and unsmiling.
"You should see what they done," he said to the policeman.
"Follow me," the man called Curly said.
Officer Delinko got in step behind him. "The dispatcher said you wanted to report some vandalism."
"That's right," Curly grunted over his shoulder.
The policeman couldn't see what there was to be vandalized on the property, which was basically a few acres of scraggly weeds. Curly stopped walking and pointed at a short piece of lumber on the ground. A ribbon of bright pink plastic was tied to one end of the stick. The other end was sharpened and caked with gray dirt.
Curly said, "They pulled 'em out."
"That's a survey stake?" asked Officer Delinko.
"Yep. They yanked 'em out of the ground, every damn one.
"Probably just kids."
"And then they threw'em every which way," Curly said, waving a beefy arm, "and then they filled in the holes."
"That's a little weird," the policeman remarked. "When did this happen?"
"Last night or early this morning," Curly said. "Maybe it don't look like a big deal, but it's gonna take a while to get the site marked out again. Meantime, we can't start clearin' or gradin' or nuthin'. We got backhoes and dozers already leased, and now they gotta sit. I know it don't look like the crime of the century, but still-"
"I understand," said Officer Delinko. "What's your estimate of the monetary damage?"
"Yes. So I can put it in my report." The policeman picked up the survey stake and examined it. "It's not really broken, is it?"
"Were any of them destroyed?" asked Officer Delinko. "How much does one of these things cost-a buck or two?"
The man called Curly was losing his patience. "They didn't break none of the stakes," he said gruffly.
"Not even one?" The policeman frowned. He was trying to figure out what to put in his report. You can't have vandalism without monetary damages, and if nothing on the property was broken or defaced....
"What I'm tryin' to explain," Curly said irritably, "it's not that they messed up the survey stakes, it's them screwing up our whole construction schedule. That's where it'll cost some serious bucks."