In the Middle of the Night
by Robert Cormier








Eight years before Denny Colbert was born, his father was involved in a tragic accident that killed 22 children. Now Denny is 16, and all he wants is to be like other kids his age. But he isn't allowed to answer the telephone or have a driver's license, and his family is constantly moving from town to town--all because people can't forget what happened long ago. When Denny defies his parents one afternoon and answers the telephone, he finds himself drawn into a plot for revenge which may prove deadly.





Robert Cormier began writing novels for adults, but established his reputation as an author of books for young adults, earning critical acclaim with three books, each of which were named New York Times Outstanding Book of the Year: The Chocolate War (1974), I Am the Cheese (1977), and After the First Dark (1979). Cormier was born on January 17, 1925, in Leominster, Mass., where his eighth-grade teacher first discovered his ability to write. Cormier worked as a commercial writer at WTAG-Radio in Worcester, Mass. He also worked as a newspaper reporter and columnist at the Worcester Telegram and Gazette and at the Fitchburg Sentinel. Cormier received the Best Human Interest Story of the Year Award from the Associated Press of New England in 1959 and 1973. He also earned the Best Newspaper Column Award from K.R. Thomson Newspapers, Inc., in 1974. Cormier, who is sometimes inspired by news stories or family events, is known for having serious themes in his work, such as manipulation, abuse of authority, and the ordinariness of evil. These themes are also evident in many of his more than 15 books. (Bowker Author Biography)





Gr 7 Up‘When a balcony collapsed during a special magic show in a rundown, neighborhood movie theater, 22 disadvantaged children died. Although he was never charged with any wrongdoing, John Paul Colbert, who was 16 at the time, was working as an usher and accidentally caused a fire that contributed to the tragedy. He resolutely refused to comment on what happened even after the theater's owner committed suicide and the public clamored for someone to be held responsible. Many of the victims' relatives blamed John Paul for the incident and tormented him into adulthood. Years later, his son Denny, now 16, begins to receive the same harassing phone calls. Resentful of his father's long passivity, Denny resolves not to follow in the man's footsteps. Intersecting plot lines rush together in an exciting climax that reveals the relationships between some key characters. Parallel in plot elements and themes to Cormier's previous YA titles, especially We All Fall Down (Dell, 1993) and Tunes for Bears to Dance to (Delacorte, 1992), this book seems more accessible, especially to horror/mystery fans. While grim and terrifying in some respects, this is not, in toto, a bleak novel. Its style is reminiscent of Jay Bennett's, with fairly long passages of dialogue that are heavy with foreshadowing. Unresolved details detract only slightly from the power of the prose to address the painful process of maturing and of beginning to understand and accept adult roles. Readers experience several time shifts and must discern the identity of several narrative voices while grappling with complex themes concerning tragedy, guilt, responsibility, and expiation. YAs willing to invest some intellectual effort will be amply rewarded by this sophisticated psychological thriller.‘Joel Shoemaker, Southeast Jr. High School, Iowa City, IA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





A psychotic mystery caller threatens a teenage boy's family. In a starred review, PW praised "the masterful crafting of the book's intricate plot and surprise ending." Ages 12-up. (c) Copyright PWxyz, LLC. All rights reserved





Gr. 10-12. Almost 25 years ago, on Halloween, Denny's father was an usher at a theater that collapsed, killing 22 children and injuring others. Although he was absolved of any guilt, his family has continued to be harassed by those needing someone to blame. Sixteen-year-old Denny has been forced to lead a sheltered life, moving often, making no friends, even forbidden to answer the phone. In the tragedy's twenty-fifth anniversary year, Denny marshals the strength to rebel when he finds himself engaged in a suspenseful, sensual telephone game with a "victim" bent on revenge. Once again, Cormier explores the underside of human emotions: hatred, guilt, thirst for revenge. From the first page, readers will be caught up in the story as Denny is dragged closer and closer to apparent doom at the hands of someone too sick for Denny to defend himself against. The ending lacks resolution, leaving Denny with an obsession he might never escape and his father struggling with what is clearly unjustified guilt--exactly the kind of ending Cormier fans have come to expect. --Jeanne Triner






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