Chanda's Secrets
by Stratton, Allan






When her baby sister dies, Chanda begins to fear that her parents' illness may be something more than they are willing to say, in a novel about a young girl struggling with the AIDs epidemic in her native African homeland, the shame of molestation, and the pain of living in poverty. Simultaneous.





Allan Stratton recently returned from Africa where he met the people who inspired this book. He is past Head of Drama at an arts school in Toronto and a former member of New York's The Actors' Studio. His earlier young adult novel,Leslie's Journal, earned numerous accolades, including a place on the American Library Association'sBest Books for Young Adults list.





/*Starred Review*/ Gr. 9-12. The statistics of the millions infected with HIV/AIDS in southern Africa find a human face in this gripping story of one teenager, Chanda Kabele, who sees the disease threaten her family and community. Far from case history, Chanda's immediate, first-person, present-tense narrative is neither sentimental nor graphic as it brings close the personal struggle with all its pain and loss, shame and guilt. Chanda's stepfather and baby stepbrother died of the disease. Now Mama may have it. No one will talk about the cause. Is Chandra infected? Her best friend, driven to prostitution, does get AIDS, which is dormant. Should Chanda take her in? Stratton, who has lived and worked in southern Africa, creates an authentic sense of the community in town and in the bush, including the poverty, overburdened hospitals, struggling schools, and packed cemeteries. The message about overcoming ignorance and shame and confronting the facts is ever present, but the tense story and the realistic characters-caring, mean, funny, angry, kind, and cruel-will keep kids reading and break the silence about the tragedy. Proceeds from sales go to fighting AIDS. ((Reviewed July 2004)) Copyright 2004 Booklist Reviews.





The subject of AIDS in contemporary Africa receives powerful-though apolitical-treatment. When 16-year-old Chanda's baby sister dies, the middle siblings are told that she went "on a trip." Lies and secrets obscure death and suppress every hint of AIDS, which is running rampant through this small city. AIDS lurks everywhere, but so do the shame and social death of acknowledging it. Chanda's Mama is slowly weakening and Chanda's best friend has turned to prostitution, making the spread of HIV ever harder to ignore. Chanda's slow rebellion against all the secrecy comes at a dear price, but the end is not without hope, at least for her and the young siblings who've become her "babies." Stratton pulls his punches by setting this in a fictional country and failing to ever mention any governmental (or corporate/pharmaceutical) culpability. Still, the strong, respectful writing makes this crucial and broadly relevant story unfailingly human. (author's note) (Fiction. YA) Copyright Kirkus 2004 Kirkus/BPI Communications.All rights reserved.





Chapter 1

I'm alone in the office of Bateman's Eternal Light Funeral Services. It's early Monday morning and Mr. Bateman is busy with a new shipment of coffins.

"I'll get to you as soon as I can," he told me. "Meanwhile, you can go into my office and look at my fish. They're in an aquarium on the far wall. If you get bored, there're magazines on the coffee table. By the way, I'm sorry about your sister."

I don't want to look at Mr. Bateman's fish. And I certainly don't want to read. I just want to get this meeting over with before I cry and make a fool of myself.

Mr. Bateman's office is huge. It's also dark. The blinds are closed and half the fluorescent lights are burned out. Aside from the lamp on his desk, most of the light in the room comes from the aquarium. That's fine, I guess. The darkness hides the junk piled in the corners: hammers, boards, paint cans, saws, boxes of nails, and a stepladder. Mr. Bateman renovated the place six months ago, but he hasn't tidied up yet.

Before the renovations, Bateman's Eternal Light didn't do funerals. It was a building supply center. That's why it's located between a lumber yard and a place that rents cement mixers. Mr. Bateman opened it when he arrived from England eight years ago. It was always busy, but these days, despite the building boom, there's more money in death than construction.

The day of the grand reopening, Mr. Bateman announced plans to have a chain of Eternal Lights across the country within two years. When reporters asked if he had any training in embalming, he said no, but he was completing a correspondence course from some college in the States. He also promised to hire the best hair stylists in town, and to offer discount rates. "No matter how poor, there's a place for everyone at Bateman's."

That's why I'm here.

When Mr. Bateman finally comes in, I don't notice. Somehow I've ended up on a folding chair in front of his aquarium staring at an angelfish. It's staring back. I wonder what it's thinking. I wonder if it knows it's trapped in a tank for the rest of its life. Or maybe it's happy swimming back and forth between the plastic grasses, nibbling algae from the turquoise pebbles and investigating the little pirate chest with the lid that blows air bubbles. I've loved angelfish ever since I saw pictures of them in a collection of National Geographics some missionaries donated to my school.

"So sorry to have kept you," Mr. Bateman says.

I leap to my feet.

"Sit, sit. Please," he smiles.

We shake hands and I sink back into the folding chair. He sits opposite me in an old leather recliner. There's a tear on the armrest with gray stuffing poking out. Mr. Bateman picks at it.

"Are we expecting your papa?"

"No," I say. "My step-papa's working." That's a lie. My step-papa is dead drunk at the neighborhood shebeen.

"Are we waiting for your mama, then?"

"She can't come either. She's very sick." This part is almost true. Mama is curled up on the floor, rocking my sister. When I told her we had to find a mortuary she just kept rocking. "You go," she whispered. "You're sixteen. I know you'll do what needs doing. I have to stay with my Sara."

Mr. Bateman clears his throat. "Might there be an auntie coming, then? Or an uncle?"

"No."

"Ah." His mouth bobs open and shut. His skin is pale and scaly. He reminds me of one of his fish. "Ah," he says again. "So you've been sent to make the arrangements by yourself."

I nod and stare at the small cigarette burn on his lapel. "I'm sixteen.

"Ah." He pauses. "How old was your sister?"

"Sara's one and a half," I say. "Was one and a half."

"One and a half. My, my." Mr. Bateman clucks his tongue. "It's always a shock when they're infants."

A shock? Sara was alive two hours ago. She was cranky all night because of her rash. Mama rocked her through dawn, till she stopped whining. At first we thought she'd just fallen asleep. (God, please forgive me for being angry with her last night. I didn't mean what I prayed. Please let this not be my fault.)

I lower my eyes.

Mr. Bateman breaks the silence. "You'll be glad you chose Eternal Light," he confides. "It's more than a mortuary. We provide embalming, a hearse, two wreaths, a small chapel, funeral programs and a mention in the local paper."

I guess this is supposed to make me feel better. It doesn't. "How much will it cost?" I ask.

"That depends," Mr. Bateman says. "What sort of funeral would you like?"

My hands flop on my lap. "Something simple, I guess."

"A good choice."

I nod. It's obvious I can't pay much. I got my dress from a ragpicker at the bazaar and I'm dusty and sweaty from my bicycle ride here.

"Would you like to start by selecting a coffin?" he asks.

"Yes, please."

Mr. Bateman leads me to his showroom. The most expensive coffins are up front, but he doesn't want to insult me by whisking me to the back. Instead I get the full tour. "We stock a full line of products," he says. "Models come in pine and mahogany, and can be fitted with a variety of brass handles and bars. We have beveled edges, or plain. As for the linings, we offer silk, satin, and polyester in a range of colors. Plain pillowcases for the head rest are standard, but we can sew on a lace ribbon for free."

The more Mr. Bateman talks, the more excited he gets, giving each model a little rub with his handkerchief. He explains the difference between coffins and caskets: "Coffins have flat lids. Caskets have round lids." Not that it makes a difference. In the end, they're all boxes.

I'm a little frightened. We're getting to the back of the show- room and the price tags on the coffins are still an average year's wages. My step-papa does odd jobs, my mama keeps a few chickens and a vegetable garden, my sister is five and a half, my brother is four, and I'm in high school. Where is the money going to come from?

Mr. Bateman sees the look on my face. "For children's funerals, we have a less costly alternative," he says. He leads me behind a curtain into a back room and flicks on a light bulb. All around me, stacked to the ceiling, are tiny whitewashed coffins, dusted with yellow, pink, and blue spray paint.

Mr. Bateman opens one up. It's made of pressboards, held together with a handful of finishing nails. The lining is a plastic sheet, stapled in place. Tin handles are glued to the outside; if you tried to use them, they'd fall off.

I look away.

Mr. Bateman tries to comfort. "We wrap the children in a beautiful white shroud. Then we fluff the material over the sides of the box. All you see is the little face. Sara will look lovely."

I'm numb as he takes me back to the morgue, where she'll be kept till she's ready. He points at a row of oversized filing cabinets. "They're clean as a whistle, and fully refrigerated," he assures me. "Sara will have her own compartment, unless other children are brought in, of course, in which case she'll have to share." We return to the office and Mr. Bateman hands me a contract. "If you've got the money handy, I'll drive by for the body at one. Sara will be ready for pickup Wednesday afternoon. I'll schedule the burial for Thursday morning."

I swallow hard. "Mama would like to hold off until the weekend. Our relatives need time to come in from the country."

"I'm afraid there's no discount on weekends," Mr. Bateman says, lighting a cigarette.

"Then maybe next Monday, a we






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