Nameless Ones
by Connolly, John

When four of his fellow assassins are murdered by Serbian war criminals, Louis arrives in Europe to find and punish five killers before they can vanish into this air-there is just one problem-the sixth. 75,000 first printing.

John Connolly is the author of the Charlie Parker series of thrillers, the supernatural collection <i>Nocturnes</i>, the Samuel Johnson Trilogy for younger readers, and (with Jennifer Ridyard) the Chronicles of the Invaders series. He lives in Dublin, Ireland. For more information, see his website at, or follow him on Twitter @JConnollyBooks.

Louis, the likeable but incredibly violent fella who frequently turns up in Connolly's Charlie Parker novels as a supporting player, has occasionally taken the lead role (see, for example, 2005's The Black Angel and 2008's The Reapers). He does it again here, heading off to Europe with his partner, Angel, to track down a team of assassins that murdered Louis's close friend. Violence ensues. Charlie does appear in the book, but in a distinctly minor role: this is Louis's book, and Connolly seems really to be enjoying the opportunity to get the character on the road and open him up. Charlie's a fascinating character, a stone-cold killer with a warm personality and a clear-cut sense of right and wrong, and readers will learn a few new things about him as he tracks down the people who killed his friend. As always, the writing is exquisite: Connolly is a supremely talented storyteller, a genuine craftsman, and his books are a joy to read. Libraries should expect high demand for this one. Copyright 2021 Booklist Reviews.

A dark thriller by the author of The Dirty South (2020), featuring bloodthirsty veterans of the Balkan wars and occasional appearances by private detective Charlie Parker and his late daughter, Jennifer. An aging Dutch criminal and his nephew are murdered in their safe house, and their blood drips through a ceiling and the floor below. The FBI investigates the death of a U.S. government employee named Armitage, who had a murky connection to Serbian gangster Zivco Ilic, and it may be best to chalk it up to suicide. The Serbian brothers Radovan and Spiridon Vuksan smuggle people across borders, several of whom committed mass murder during the Balkan wars-not unlike their late cousin Buha, a Serb who liked to crucify Muslims and Croats. Meanwhile, the "unusual private investigator named Charlie Parker" plays a background role, letting his friends Louis, Angel, and the Fulci brothers carry the story for the good guys. That's a relative term: If matronly Mrs. Bondarchuk had adopted the Fulci brothers in Queens, "even the rats would have moved out." One of them is dumb as a rock, and the other is dumb as two rocks. And of Louis: "There are plagues that have killed fewer people." Yet Parker has had a salutary effect on his friends, saving them from years behind bars. "Who knew that a conscience could be contagious?" Jennifer communes with Louis in his dreams, suggesting that he need not fear the afterlife. But the prize for best character is Zorya, an evil, bent-over old woman often mistaken for a teenager and resembling "a malformed mannequin," her skin "like a piece of fruit in the process of decay." The overall plot isn't obvious, although criminals seem to be tainting Serbia's chances of joining the European Union. But author Connolly's descriptions are as engaging as his characters. "Death was an old woman who slept in hell." A man's smile "was by now under severe strain, like a bridge about to collapse." This one is great stuff for the crime buff. Copyright Kirkus 2021 Kirkus/BPI Communications. All rights reserved.

Chapter I


The two figures were by now a familiar sight, if only to a select few, for even ones such as these, who guarded their privacy so assiduously, must inevitably become known to some of their neighbors. For a time, they had not been seen out together, and only the black man, generally believed to be the younger, was noticeable on the street and the surrounding blocks. It was rumored that the other, the older (marginally) and less elegant (by a more considerable degree), was ill, or perhaps recovering from illness, although questions directed, however discreetly, to Mrs. Evelyn Bondarchuk, the woman who occupied the first floor apartment in their building, were met with a stony silence from the lady herself, and the disapproving yaps of her assorted Pomeranians.

According to local lore, it was Mrs. Bondarchuk herself who owned the property, although she carefully concealed her interest through the use of shelf companies, a series of lawyers at least as tight-lipped as she, and a Dickensian amount of paperwork-not that anyone was unduly troubled by this minor act of deception, which had long ago mutated from suspicion into fact. After all, this was New York City, and more specifically Manhattan, where various levels of eccentricity, reinvention, and even downright criminality were, if not a given, then at least quotidian.

But the truth of the matter was that Mrs. Bondarchuk was merely a tenant, albeit one who functioned also as a watchdog, since her chair by the bay window of her apartment offered a clear view of the street in two directions. (Mrs. Bondarchuk's bark, it might have been said, was probably worse than her Pomeranians' bite, although it was a close-run thing, and none of the neighbors was in any hurry to test the hypothesis. The Pomeranians were nippy little beasts when the mood took them, but Mrs. Bondarchuk possessed an undeniable solidity, and all her own teeth.)

A few years earlier, there had been some unpleasantness at the property involving a man with a gun, but it, and he, had been taken care of. Since then, Mrs. Bondarchuk had committed with even greater acuity to her role as first line of defense. She now understood it was more than a sop from her landlords, a pointless task offered out of pity to an old woman, or a well-intended effort to endow her twilight years with a sense of purpose. No, Mrs. Bondarchuk was essential to them, and she loved them for making her so. She had even inquired about the possibility of being given a gun, although this suggestion was politely rebuffed. Mrs. Bondarchuk's feelings were not hurt, though. She had asked more out of interest than actual desire. She did not wish to own a gun. In her youth, her father had retained a seven-shot Nagant M1895 revolver from his period of service in the Soviet military. He had kept it clean, well oiled, and concealed beneath a floorboard in the bedroom. Mrs. Bondarchuk had used it only once, when a vagrant entered the house and attempted to rape her mother. Mrs. Bondarchuk-or Elena Tikhonov as she was formerly known, before the changes to her name wrought by emigration, anglicization, and marriage-shot him in the chest, and later helped her father and mother to bury the remains in the forest. She was twelve years old.

Then, as now, she was untroubled by what she had done. The vagrant was bad, and had she not acted as she did, he would undoubtedly have hurt or murdered her mother, and possibly Elena, too, before going on to commit further degenerate acts. And, yes, the Sixth Commandment declared "Thou shalt not kill," but Mrs. Bondarchuk had always believed that Moses, in returning from Mount Sinai, had neglected to bring with him a final tablet, the one containing all the fine print, possibly because his arms were already full.

Mrs. Bondarchuk had never shared with another soul outside her immediate family the details of the killing: not with her late husband, whom she had loved dearly, and not even with the two men who owned the building in which she lived, although she was certain that they, at least, would have understood. There was, she felt, no particular benefit to be gained from raising the subject. The vagrant, after all, was dead, and a confession was unlikely to alter that fact. Mrs. Bondarchuk was also in possession of a clear conscience on the matter, and while she might, in the years that followed, have occasionally contemplated shooting someone else-certain politicians, for example, or particularly patronizing shopgirls-she had managed to resist the temptation, helped in large part by not being in possession of a suitable weapon. All in all, it was probably for the best that her landlords had not agreed to provide her with a gun. Shooting someone in extremis might be forgivable, but one shouldn't make a habit of it, regardless of provocation.

AND HERE THEY CAME now, Mr. Louis and Mr. Angel, these two men whom she adored like errant sons, the first tall and black, the second short and, well, whiteish. He had lately been so ill, her Mr. Angel, and he had already suffered so much; this, Mrs. Bondarchuk had always intuited from his face and eyes. He was recovering, though, even if he was now slower than before. His partner, too, regarded him differently, as if the sickness had reminded him that, in no time at all, one of them must inevitably be parted from the other, and whatever days remained to them were better spent in accord.

But at least they were not alone. They had friends. There was the private detective, Mr. Parker, who brought her candy from Maine; and the two brothers, Tony and Paulie Fulci, who were so gentle for such big men, and whom she could not imagine hurting a fly-other people possibly, perhaps even probably, but not a fly.

And they in turn had Mrs. Bondarchuk, who prayed for Mr. Louis and Mr. Angel every night. She prayed that they might have a good death, one marked by ritual and a proper burial, and therefore the salvation of the soul; and not a bad death, an interment in some pit without a blessing or a marker, in the manner of a wandering rapist. Death was the inescapable path. One's thoughts were over the mountains, but death was always behind one's shoulder. Death was an old woman who slept in hell, and took her instructions from God. She was inevitable, but not implacable. She could be spoken to, and negotiated with. Amuse her, interest her, and she might move on.

Mr. Louis and Mr. Angel, Mrs. Bondarchuk believed, greatly amused Death.

ANGEL WAVED TO MRS. Bondarchuk as they approached the stairs leading to the door of their building.

"Do you think Mrs. Bondarchuk has ever killed anyone?" he said.

"Definitely," said Louis.

"No doubt in your mind?"

"None at all."

"I thought it was just me."

"No, she's killed someone for sure. Shot them, is my guess. Remember that time she suggested we give her a gun?"

"Yeah," said Angel. "She was kind of matter-of-fact about it."

"Maybe we should have let her have one."

"We could always give her one for Christmas, if her heart is still set on it."

"She's Orthodox. We'd have to wait until January."

"On the other hand," said Angel, "might be best to stick with candy and a Macy's gift card."

"Still, it's something to keep in reserve in case she gets bored of candy."

Angel paused to watch a crow alight on a nearby tree.

"That's sorrow, right?" he said. "One for sorrow, like in the rhyme."

"I don't think it counts where we're concerned," said Louis.

"No," said Angel, "I guess not."

MRS. BONDARCHUK HAD ALSO noticed the crow. She crossed herself before offering up a brief prayer of protection. She remained constantly aware of auguries-the appearance of owls, ravens, and crows, the births of twins and triplets-and kept note of her dreams, waking up in the night to add the details of them to the little writing pad by her bedside, wary always of visions of bread and bees, of teeth falling from gums, of church processions. She had yet to give a watch as a gift, eat from a knife, or mark a fortieth anniversary. She sat down before going on a journey, even if only to the store, in order to confuse any evil spirits that might be lurking, and never put the garbage out after sunset. On the wall by her front door hung a cross of aspen, the cursed wood, which possessed a talismanic power against evil, just as the potency of a vaccine relies upon the element it contains of its target disease.

But perhaps more than any of this, Mrs. Bondarchuk believed that death, rather than marking an end, represented only an alteration, if a fundamental one, in the nature of existence. The dead and the living coexisted, each world feeding into the other, and the next realm was a mirror of this one. The dead remained in contact with the living, and spoke to them through dreams and portents.

One had to learn to listen.

And one had to be prepared.

ANGEL FUMBLED FOR HIS keys. Louis appeared distracted, even weary.

"You look tired," said Angel.

"You say."

"I have an excuse. Cancer beats all hands."

"I didn't sleep so well last night," said Louis. "Comes with getting old."

"You're sure that's all it is?"

"Yes," Louis lied.

He had been dreaming again, the same dream. It had been coming to him more often in recent months. In his dream he stood by a lake and watched the dead immerse themselves in its waters, wading deeper and deeper, farther and farther, until finally they were lost to the great sea. Beside him stood a little girl: Jennifer, the dead child of the detective Charlie Parker, whom Louis had watched being buried. She held his hand. Her touch was warm against the coldness of his skin. In life, he had known her only from a distance. Now death had made intimates of them.

why are we here?

His voice seemed no longer his own. He heard it as a faded whisper. Only the girl spoke without distortion, for this was her dominion.

"We're waiting," she said.

for what?

"For the others to join us."

and then?

She laughed.

"We shall set black flags in the firmament."

And he would wake to the memory of her touch.

None of this he chose to share with Angel. They had few secrets from each other, but those they had, they kept close. Had Louis spoken of his dream to Mrs. Bondarchuk, she might have advised him to be very wary, and gifted him a cross of aspen. But he had no intention of discussing his recurring dream with her, just as he had elected not to mention it to Angel.

Which was unfortunate, because Angel had been having a very similar dream.

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