Leaving London behind, Margery Benson, a schoolmarm and spinster in 1950, embarks on a quest to the other side of the world in search of her childhood obsession - the golden beetle of New Caledonia - with the help of a fun-loving assistant who changes her life forever. Original.
Rachel Joyce is the author of The Music Shop, the Sunday Times and international bestsellers The Unlikely Pilgrimage of Harold Fry, Perfect, and The Love Song of Miss Queenie Hennessy, as well as the digital short story A Faraway Smell of Lemon and a story collection, A Snow Garden & Other Stories. Her books have been translated into thirty-six languages and two are in development for film. The Unlikely Pilgrimage of Harold Fry was shortlisted for the Commonwealth Book Prize and longlisted for the Man Booker Prize. Joyce was named the Specsavers National Book Awards "New Writer of the Year" in December 2012 and shortlisted for the "UK Author of the Year" 2014. Joyce has also written more than thirty original afternoon plays and adaptations of the classics for BBC Radio 4, including all the BrontŽ novels. She moved to writing after a long career as an actor, performing leading roles for the RSC, the National Theatre, and Cheek by Jowl. She lives with her family in Gloucestershire.
*Starred Review* When Margery Benson was 10 years old, her father shared with her a book called Incredible Creatures. Paging through it, Margery fell in love with the beautiful golden beetle of New Caledonia. A moment later, her father received a phone call and was suddenly gone forever. Decades later, in 1950, Margery has been unhappily teaching cookery for 20 years when something in her finally snaps. She walks out of the classroom, steals a pair of boots from the staff room, and places an ad in the newspaper: "Wanted. French-speaking assistant for expedition to the other side of the world. All expenses paid." Although not Margery's first choice, Enid Pretty takes the job and both women are never the same again. They set off on a daring journey from England to the South Pacific in search of the golden beetle, and develop an unlikely friendship in the process. In her sixth book, Joyce (The Music Shop, 2018) offers a moving tale of self-discovery and the power of friendship to change everything. Enid's whirlwind energy leaps off the page, while Margery's quiet thoughtfulness draws readers in. Full of humor, adventure, love, and a bit of mystery, this is a delightfully captivating read from beginning to end. Copyright 2020 Booklist Reviews.
In 1914, when Margery Benson was 10 years old, her father showed her a book of magical creatures, none more fantastic than the golden beetle of New Caledonia. Thirty-six years later, jobless and alone, she‚??s determined to have the adventure of her life and find that beetle. After stealing a co-worker‚??s new boots in a fit of despair, and consequently losing her job as a teacher of domestic science, Margery finds herself eager to get out of England before the police catch up to her. In addition to packing up her apartment and collecting an impressive array of bug-hunting equipment, she places an advertisement in the newspaper for a French-speaking assistant, an ad to which only four people apply. After a series of curious events, she finds herself aboard the RMS Orion with one Enid Pretty, a shockingly blond woman in a pink suit who never seems to stop talking, much to Margery's dismay. But once Margery succumbs to weeks of seasickness, Enid turns out to be the best friend Margery never knew she needed. Thus, two women too often discounted, one as an old maid and the other as a floozy, begin a very funny journey, indeed. But Margery and Enid are being followed by two shadows: Enid‚??s mysterious, possibly criminal past and Mr. Mundic, a man Margery rejected as her assistant. A survivor of the Second World War POW camps in Burma, Mr. Mundic is frequently waylaid on his mission to reunite with Margery by bouts of beriberi and violent, hallucinatory memories. Once in the northern wilds of New Caledonia, Margery, Enid, Mr. Mundic, and the golden beetle are set on a collision course teeming with screwball comedic scenes deftly choreographed by Joyce. A hilarious jaunt into the wilderness of women‚??s friendship and the triumph of outrageous dreams. Copyright Kirkus 2020 Kirkus/BPI Communications. All rights reserved.
The Golden Beetle of New Caledonia, 1914
When Margery was ten, she fell in love with a beetle.
It was a bright summer’s day, and all the windows of the rectory were open. She had an idea about sailing her wooden animals across the floor, two by two, but the set had belonged to her brothers once, and most of them were either colored in or broken. Some were even missing altogether. She was wondering if, under the circumstances, you could pair a three-legged camel and a bird with spots when her father came out of his study.
“Do you have a moment, old girl?” he said. “There’s something I want to show you."
So she put down the camel and the bird, and she followed him. She would have stood on her head if he’d asked.
Her father went to his desk. He sat there, nodding and smiling. She could tell he didn’t have a proper reason for calling her: he just wanted her to be with him for a while. Since her four brothers had left for war, he often called her. Or she’d find him loitering at the foot of the stairs, searching for something without seeming to know what it was. His eyes were the kindest in the world, and the bald top of his head gave him a naked look.
“I think I have something that might interest you, old girl,” he said. “Nothing much, but maybe you will like it.”
At this point he would normally produce something he’d found in the garden, but instead he opened a book called Incredible Creatures. It looked important, like the Bible or an encyclopedia, and there was a general smell of old things, but that could well have been him. Margery stood at his side, trying hard not to fidget.
The first page was a painted illustration of a man. He had a normal face and normal arms but, where his legs should have been, a green mermaid tail. She was amazed. The next picture was just as strange. A squirrel like one in the garden, but this had wings. And it went on, page after page, one incredible creature after another.
“Well, well, look,” her father kept saying. “Well, now, goodness me. Look at this chap, Margery.”
“Are they real?”
“They might be.”
“Are they in a zoo?”
“Oh, no, dear heart. If these creatures live, they’ve not been found. There are people who believe they exist, but they haven’t caught them yet so they can’t prove it.”
She had no idea what he was talking about. Until that moment she’d assumed everything in the world was already found. It had never occurred to her things might happen in reverse. That you could see a picture of something in a book—that you could as good as imagine it—and then go off and look.
Her father showed her the Himalayan yeti, the Loch Ness Monster, the Patagonian giant sloth. There was the Irish elk with antlers as big as wings. The South African quagga, which started as a zebra until it ran out of stripes and became a horse. The great auk, the lion-tailed monkey, the Queensland tiger. So many incredible extra creatures in the world, and nobody had found a single one of them.
“Do you think they’re real?” she said.
Her father nodded. “I have begun to feel comforted,” he said, “by the thought of all we do not know, which is nearly everything.” With that upside-down piece of wisdom, he turned another page. “Ah!”
He pointed at a speck. A beetle.
Well, how nothing this was. How small and ordinary. She couldn’t see what it was doing in a book of Incredible Creatures, never mind whether it was not yet found. It was the sort of thing she would tread on and not notice.    He told her the head of a beetle was called the head, the middle was the thorax, and the bottom half was the abdomen. Beetles had two pairs of wings—did she know that? One delicate set that did the actual flying, and another hardened pair to protect the first. There were more kinds of beetle on God’s Earth than any other species, and they were each unique in remarkable ways.
“It looks a bit plain,” she said. Margery had heard her aunts call her plain. Not her brothers, though. They were as handsome as horses.
“Ah! But look!”
He turned to the next page, and her insides gave a lurch.
Here the beetle was again, magnified about twenty times. And she had been wrong. She had been so wrong, she could hardly believe her eyes. Close up, that small plain thing was not plain, not one bit. Oval in shape and gold all over, it was incandescent. Gold head, gold thorax, gold abdomen. Even its tiny legs were gold, as if Nature had taken a bit of jewelry and made an insect instead. It was infinitely more glorious than a man with a tail.
“The golden beetle of New Caledonia,” said her father. “Imagine how it would be to find this one and bring it home.”
Before she could ask more, there was a ring on the outside bell and he eased himself to his feet. He closed the door gently behind him, as if it had feelings, and left her alone with the beetle. She reached out her finger to touch it.
“All?” she heard him say from the hall. “What? All?”
Until now, Margery hadn’t shared her father’s love of insects—he was often in the garden with a sweep net, but it was more the sort of thing he would have done with her brothers. Yet, as her finger met the golden beetle, something happened: a spark seemed to fly out and her future opened. She went hot and cold. She would find the beetle. It was that simple. She would go to wherever New Caledonia was, and bring it home. She actually felt struck, as if the top of her head had been knocked off. Already she could see herself leading the way on a mule while an assistant carried her bags at the rear.
But when the Reverend Tobias Benson returned, he didn’t seem to remember anything about the beetle, let alone Margery. He walked slowly to the desk and riffled through papers, picking them up and putting them down, as if none of them were the things they should have been. He lifted a paperweight, then a pen, and afterward he stowed the paperweight back where the pen had been, while the pen he seemed to have no clue about. It was possible he had completely forgotten what a pen was for. He just stared, while tears fell from his eyes like string.
“All of them?” he said. “What? All?”
He took something from the drawer and stepped through the French windows, and before Margery realized what had happened, he’d shot himself.