After being beaten and left for dead by burglars, a happy-go-lucky charmer returns to his ancestral home where he stumbles on a family secret.
Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor and The Secret Place. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
*Starred Review* French, author of the award-winning Dublin Murder Squad series, delivers a spellbinding stand-alone novel carefully crafted in her unique, darkly elegant prose style, which Stephen King has called "incandescent." Toby Hennessy always considered himself a lucky guy, trading on his considerable charm for a successful life, until he has the misfortune to surprise two burglars in his flat. He is beaten and left for dead, and after a less-than-successful recovery, he agrees to care for his dying uncle, Hugo, at the family's ancestral home while working on regaining his own cognitive and motor skills. When a skull is found in the trunk of an ancient tree in the garden, his dysfunctional brain struggles to reassess the past, evidently not what it once seemed and now abounding in "million-euro" questions. Issues of identity permeate the narrative. Toby's previous forays using fake social-media accounts become an issue for the police. Welcome comic relief comes via Hugo's genealogy investigation service, now in high gear because of Americans confounded by their Irish DNA test results. Toby finds himself wondering how much he had ever really known about his family, now so disconcerted that their misery is "like some rampaging animal," and the reader gets pulled into the vortex right along with them. As Oscar Wilde wrote, "The truth is rarely pure and never simple." Copyright 2018 Booklist Reviews.
A stand-alone novel from the author of the Dublin Murder Squad series. French has earned a reputation for atmospheric and existentially troubling police procedurals. Here, the protagonist is a crime victim rather than a detective. Toby Hennessy is a lucky man. He has a job he enjoys at an art gallery. He has a lovely girlfriend named Melissa. And he has a large, supportive family, including his kind Uncle Hugo and two cousins who are more like siblings. As the story begins, Toby's just gotten himself into a bit of a mess at work, but he's certain that he'll be able to smooth things over, because life is easy for him—until two men break into his apartment and brutally beat him. The damage Toby suffers, both physical and mental, undermines his sense of self. His movements are no longer relaxed and confident. His facility with words is gone. And his memory is full of appalling blanks. When he learns that his uncle is dying, Toby decides that he can still be useful by carin g for him, so he moves into the Hennessy family's ancestral home, and Melissa goes with him. The three of them form a happy family unit, but their idyll comes to an abrupt end when Toby's cousin's children find a human skull in the trunk of an elm tree at the bottom of the garden. As the police try to solve the mystery posed by this gruesome discovery, Toby begins to question everything he thought he knew about himself and his family. The narrative is fueled by some of the same themes French has explored in the past. It's reminiscent of The Likeness (2008) in the way it challenges the idea of identity as a fixed and certain construct. And the unreliability of memory was a central issue in her first novel, In the Woods (2007). The pace is slow, but the story is compelling, and French is deft in unraveling this book's puzzles. Readers will see some revelations coming long before Toby, but there are some shocking twists, too. Psychologically intense. Copyright Kirkus 2018 Kirkus/BPI Communications. All rights reserved.
Susanna swooped Sallie onto her hip, grabbed Zach’s arm in the same movement and hustled the pair of them back up the garden, talking firm reassuring bullshit all the way. Sallie was still screaming, the sound jolting with Susanna’s footsteps; Zach had switched to yelling wildly, lunging at the end of Susanna’s arm to get back to us. When the kitchen door slammed behind them, the silence came down over the garden thick as volcanic ash.
The skull lay on its side in the grass, between the camomile patch and the shadow of the wych elm. One of the eyeholes was plugged with a clot of dark dirt and small pale curling roots; the lower jaw gaped in a skewed, impossible howl. Clumps of something brown and matted, hair or moss, clung to the bone.
The four of us stood there in a semicircle, as if we were gathered for some incomprehensible initiation ceremony, waiting for a signal to tell us how to begin. Around our feet the grass was long and wet, bowed under the weight of the morning’s rain.
“That’s,” I said, “that looks human.”
“It’s fake,” Tom said. “Some Halloween thing—”
Melissa said, “I don’t think it’s fake.” I put my arm around her. She brought up a hand to take mine, but absently: all her focus was on the thing.“
Our neighbors put a skeleton out,” Tom said. “Last year. It looked totally real.”
“I don’t think it’s fake.”
None of us moved closer.
“How would a fake skull get in here?” I asked.
“Teenagers messing around,” Tom said. “Throwing it over the wall, orout of a window. How would a real skull get in here?”
“It could be old,” Melissa said. “Hundreds of years, even thousands.And Zach and Sallie dug it up. Or a fox did.”
“It’s fake as fuck,” Leon said. His voice was high and tight and angry; the thing had scared the shit out of him. “And it’s not funny. It could have given someone a heart attack. Stick it in the bin, before Hugo sees it. Get ashovel out of the shed; I’m not touching it.”
Tom took three swift paces forwards, went down on one knee by the thing and leaned in close. He straightened up fast, with a sharp hiss of in‑breath.
“OK,” he said. “I think it’s real.”
“Fuck’s sake,” Leon said, jerking his head upwards. “There’s no way, like literally no possible—”
“Take a look.”
Leon didn’t move. Tom stepped back, wiping his hands on his trousers as if he had touched it.
The run down the garden had left my scar throbbing, a tiny pointed hammer knocking my vision off-kilter with every blow. It seemed to me that the best thing we could do was stay perfectly still, all of us, wait till something came flapping down to carry this back to whatever seething otherworld had discharged it at our feet; that if any of us shifted a foot, took a breath, that chance would be lost and some dreadful and unstoppable train of events would be set in motion.
“Let me see,” Hugo said quietly, behind us. All of us jumped.
He moved between us, his stick crunching rhythmically into the grass,and leaned over to look.
“Ah,” he said. “Yes. Zach was right.”
“Hugo,” I said. He seemed like salvation, the one person in the world who would know how to undo this so we could all go back inside and talk about the house some more. “What do we do?”
He turned his head to look at me over his shoulder, pushing up his glasses with a knuckle. “We call the Guards, of course,” he said gently.
“I’ll do it in a moment. I just wanted to see for myself.”
“But,” Leon said, and stopped. Hugo’s eyes rested on him for a moment, mild and expressionless, before he bent again over the skull.
I was expecting detectives, but they were uniformed Guards: two big thick-neckedblank-faced guys about my age, alike enough that they could have been brothers, both of them with Midlands accents and yellow hi‑vis vests and the kind of meticulous politeness that everyone understands is conditional. They arrived fast, but once they were there they didn’t seem particularly excited about the whole thing. “Could be an animal skull,” said the bigger one, following Melissa and me down the hall. “Or old remains, maybe. Archaeology, like.”
“You did the right thing calling us, either way,” said the other guy. “Better safe than sorry.”
Hugo and Leon and Tom were still in the garden, standing well back.“Now,” said the bigger guy, nodding to them, “let’s have a look at this,” and he and his mate squatted on their hunkers beside the skull, trousers stretching across their thick thighs. I saw the moment when their eyes met.
The big one took a pen out of his pocket and inserted it into the empty eyehole, carefully tilting the skull to one side and the other, examining every angle. Then he used the pen to hook back the long grass from thejaw, leaning in to inspect the teeth. Leon was gnawing ferociously on a thumbnail.
When the cop looked up his face was even blanker. “Where was this found?” he asked.
“My great-nephewfound it,” Hugo said. Of all of us, he was the calmest; Melissa had her arms wrapped tightly around her waist, Leon was practically jigging with tension, and even Tom was white and stunned-looking, hair standing up like he’d been running his hands through it. “In a hollow tree, he says. I assume it was this one here, but I don’t know for certain.”
All of us looked up at the wych elm. It was one of the biggest trees in the garden, and the best for climbing: a great misshapen gray-brownbole, maybe five feet across, lumpy with rough bosses that made perfect handholds and footholds to the point where, seven or eight feet up, it split into thick branches heavy with huge green leaves. It was the same one I’d broken my ankle jumping out of, when I was a kid; with a horrible leap of my skin I realized that this thing could have been in there the whole time, I could have been just inches away from it.
The big cop glanced at his mate, who straightened up and, with surprising agility, hauled himself up the tree trunk. He braced his feet and hungon to a branch with one hand while he pulled a slim pen-shapedtorch from his pocket; shone it into the split of the trunk; pointed it this way and that,peering, mouth hanging open. Finally he thumped down onto the grass with a grunt and gave the big cop a brief nod.
“Where’s your great-nephewnow?” the big cop asked.
“In the house,” Hugo said, “with his mother and his sister. His sister was with him when he found it.”
“Right,” the cop said. He stood up, putting his pen away. His face, tilted to the sky, was distant; with a small shock I realized he was thrilled. “Let’s go have a quick word with them. Can you all come with me, please?” And to his mate: “Get onto the Ds and the Bureau.
”The mate nodded. As we trooped into the house, I glanced over my shoulder one last time: the cop, feet stolidly apart, swiping and jabbing athis phone; the wych elm, vast and luxuriant in its full summer whirl of green; and on the ground between them the small brown shape, barely visible among the daisies and the long grass.