1619 Project : A New Origin Story
by Hannah-jones, Nikole (EDT); Roper, Caitlin (EDT); Silverman, Ilena (EDT); Silverstein, Jake (EDT)






This ongoing initiative from The New York Times Magazine that began on the 400th anniversary of the beginning of American slavery reimagines if our national narrative actually started in late August of 1619, when a ship arrived in Jamestown bearing a cargo of 20-30 enslaved people from Africa.





<b>Nikole Hannah-Jones</b> is a Pulitzer Prize&ndash;winning reporter covering racial injustice for <i>The New York Times Magazine,</i> and creator of the landmark 1619 Project. In 2017, she received a MacArthur Foundation Fellowship, known as the Genius Grant, for her work on educational inequality. She has also won a Peabody Award, two George Polk Awards, three National Magazine Awards, and the 2018 John Chancellor Award for Excellence in Journalism from Columbia University. In 2016, Hannah-Jones co-founded the Ida B. Wells Society for Investigative Reporting, a training and mentorship organization geared toward increasing the number of investigative reporters of color.&#160;Hannah-Jones is the Knight Chair in Race and Journalism at Howard University, where she has founded the Center for Journalism and Democracy.&#160;In 2021, she was named one of <i>Time</i>&rsquo;s 100 most influential people in the world.<br><br><b>The 1619 Project</b> is an ongoing initiative from <i>The New York Times Magazine</i> that began in August 2019, the four hundredth anniversary of the beginning of American slavery. It is led by Pulitzer Prize&ndash;winning journalist Nikole Hannah-Jones, along with <i>New York Times Magazine</i> editor-in-chief Jake Silverstein and editors Ilena Silverman and Caitlin Roper.





*Starred Review* Journalist, academic, and MacArthur fellow Hannah-Jones launched The 1619 Project in 2019 in the New York Times Magazine to mark the four-hundredth anniversary of the arrival of the pirate-seized White Lion, which brought the first captive Africans to colonial soil in Virginia, and to take fresh measure of what followed as a new nation gradually coalesced, then failed to live up to its founding ideals. The response was passionate, paving the way for this volume of expanded and new essays, each proceeded by an historical photograph and a history-inspired poem or work of fiction by Claudia Rankine, Yusef Komunyakaa, Jesmyn Ward, Tracy K. Smith, Yaa Gyasi, Natasha Trethewey, and many more. Readers will discover something new and redefining on every page as long-concealed incidents and individuals, causes and effects are brought to light by Hannah-Jones and 17 other vital thinkers and clarion writers, including Carol Anderson, Ibram X. Kendi, Tiya Miles, and Bryan Stevenson, each of whom sharpens our understanding of the dire influence of anti-Black racism on everything from the American Revolution to the Black church, Motown, health care, Trumpism, how infrastructure enforces racial inequality, the unrelenting financial struggle in Black families and communities, and how Black Americans fighting for equality decade after decade have preserved our democracy. The revelations are horrific and empowering. As Hannah-Jones writes: "If we are a truly great nation, the truth cannot destroy us." This visionary, meticulously produced, profound, and bedrock-shifting testament belongs in every library and on every reading list.HIGH-DEMAND BACKSTORY: A vigorous publicity campaign building on the impact of the first incarnation will guarantee avid interest in this invaluable and galvanizing history. Copyright 2021 Booklist Reviews.





*Starred Review* Journalist, academic, and MacArthur fellow Hannah-Jones launched The 1619 Project in 2019 in the New York Times Magazine to mark the four-hundredth anniversary of the arrival of the pirate-seized White Lion, which brought the first captive Africans to colonial soil in Virginia, and to take fresh measure of what followed as a new nation gradually coalesced, then failed to live up to its founding ideals. The response was passionate, paving the way for this volume of expanded and new essays, each proceeded by an historical photograph and a history-inspired poem or work of fiction by Claudia Rankine, Yusef Komunyakaa, Jesmyn Ward, Tracy K. Smith, Yaa Gyasi, Natasha Trethewey, and many more. Readers will discover something new and redefining on every page as long-concealed incidents and individuals, causes and effects are brought to light by Hannah-Jones and 17 other vital thinkers and clarion writers, including Carol Anderson, Ibram X. Kendi, Tiya Miles, and Bryan Stevenson, each of whom sharpens our understanding of the dire influence of anti-Black racism on everything from the American Revolution to the Black church, Motown, health care, Trumpism, how infrastructure enforces racial inequality, the unrelenting financial struggle in Black families and communities, and how Black Americans fighting for equality decade after decade have preserved our democracy. The revelations are horrific and empowering. As Hannah-Jones writes: "If we are a truly great nation, the truth cannot destroy us." This visionary, meticulously produced, profound, and bedrock-shifting testament belongs in every library and on every reading list.HIGH-DEMAND BACKSTORY: A vigorous publicity campaign building on the impact of the first incarnation will guarantee avid interest in this invaluable and galvanizing history. Copyright 2021 Booklist Reviews.





A book-length expansion of the New York Times Magazine issue that explores the history of slavery in America and its countless toxic consequences. Famously denied tenure at the University of North Carolina for her critical journalism, Hannah-Jones sounds controversial notes at the start: There are no slaves but instead enslaved people, a term that "accurately conveys the condition without stripping the individual of his or her humanity," while the romantic plantation gives way to the more accurate terms labor camp and forced labor camp. The 1619 Project was intended to introduce Black people into the mainstream narrative of American history as active agents. It may have been White people who enslaved them, but apart from the legal and constitutional paperwork, it was Black people who resisted and liberated themselves and others, from their very first arrival at Jamestown, Virginia, in 1619 to the very present. Hannah-Jones and colleagues consider a nation still wrestling with the outcomes of slavery, an incomplete Reconstruction, and a subsequent history of Jim Crow laws and current legal efforts to disenfranchise Black voters. As she notes, the accompanying backlash has been vigorous, including attempted laws by the likes of Sen. Tom Cotton to strip federal funds from schools that teach the 1619 Project or critical race theory. Among numerous other topics, the narrative examines: the thought that the American independence movement was fueled at least in part by the insistence on maintaining slavery as the Crown moved to abolition; the use of slavery to tamp down resistance among poor Whites whose functions were essentially the same as the enslaved but who, unlike Black people, were not considered property; the ongoing appropriation of Black music, which has "midwifed the only true integration this country has known," as Wesley Morris writes, by a machine that perpetuates minstrelsy. Those readers open to fresh and startling interpretations of history will find this book a comprehensive education. A much-needed book that stakes a solid place in a battlefield of ideas over America's past and present. Copyright Kirkus 2021 Kirkus/BPI Communications. All rights reserved.






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