I Was Anastasia
by Lawhon, Ariel






"A dual narrative exploring the mystery surrounding the death of Anastasia Romanov and the claims of Anna Anderson, the woman long-believed to be the young Grand Duchess' most famous imposter"-





ARIEL LAWHON is a critically acclaimed author of historical fiction. Her books have been translated into numerous languages and have been Library Reads, One Book One County, and Book of the Month Club selections. She is the co-founder of SheReads.org and lives in the rolling hills outside Nashville, Tennessee, with her husband, four sons, black Lab, and a deranged cat. She splits her time between the grocery store and the baseball field.





The mystery about the fate of Grand Duchess Anastasia, youngest daughter of Russia's imperial family, has officially been resolved, but the subject still exerts fascination. Was she murdered alongside her parents and siblings after the Russian Revolution, or did she survive? Incorporating themes of identity and hope, Lawhon's novel intertwines two strands: one following Anastasia up to that horrific night in 1918 and another about Anna Anderson, whose unwavering claims to be Anastasia inspired and confounded her contemporaries. Anastasia's story, evoking her youthful spirit, becomes increasingly tense as her world grows dangerously constrained, while Anna's story unfolds in snapshots flipping backward in time from 1970. The suspense hinges on the reader's unfamiliarity with the real history, and John Boyne's The House of Special Purpose (2013), also about Anastasia, handles the dual-chronology structure more smoothly. However, Anna's narrative, involving institutionalizations, glamorous excursions, legal battles, and meetings with people who want to support, exploit, or debunk her, compels with its many contrasts. Recommended mainly for readers unacquainted with this twentieth-century mystery or anyone interested in Anna Anderson's troubled life. Copyright 2018 Booklist Reviews.





Anna Anderson's claim to be Anastasia Romanov—sole survivor of the murder of the czar's family during the Bolshevik Revolution—is explored in this drama of historical suspense.In her third novel, Lawhon (Flight of Dreams, 2016, etc.) fictionalizes the story of a woman named Anna Anderson, who was pulled out of a canal in Germany after a 1920 suicide attempt. She claimed to be the surviving daughter of Nicholas and Alexandra Romanov. The czar, his wife, and his five children, along with a few family servants, were famously shot en masse…but this woman claims she escaped. Not only does she resemble Anastasia, but she has the scars on her body that would necessarily be there if she had survived the shooting, and in the course of the 50-year period during which she makes this claim, she wins important supporters, including a childhood friend of the czarevna—as well as many detractors, particularly among the extended Romanov family. Lawhon tells Anna's stor y in reverse: from 1970 in Charlottesville, Virginia, where she awaits the results of the final German court ruling on her identity, going backward to 1920, when she was pulled out of the canal. Anastasia's tale is told in the first person in the opposite direction, starting in 1917 with the Romanovs being taken prisoner in their palace and going forward through their exile in Siberia to the night of the murders. This makes a certain amount of sense, as it allows the story to converge on the moment of truth, when we will find out if Anna is, as she certainly seems to be, Anastasia. What pushes it a little too far from the point of view of readability is the decision to tell individual Anna chapters backward. So, for example, a chapter that covers the period 1928-29 starts in November '29, then has a section set four months earlier, then six months earlier, then one month earlier, and so forth. Anna's globe-trotting trials and tribulations are hard enough to follow without th i s level of intricacy. So the Anastasia story ends up being the more compelling of the two, hurtling as it does to its grisly ending. Then comes an interesting Author's Note, where Lawhon discusses her process and decisions. Somewhat overcomplicated but ultimately satisfying. Anastasia Romanov lives yet again! Copyright Kirkus 2018 Kirkus/BPI Communications. All rights reserved.






Terms of Use   ©Copyright 2019 Follett School Solutions