Six Four
by Yokoyama, Hideo; Lloyd-Davies, Jonathan (TRN)






A Tokyo press officer attached to the cold case of a seven-year-old girl's abduction fourteen years earlier investigates a disturbing anomaly only to be stymied by an unimaginable discovery.





Hideo Yokoyama was born in 1957. He worked for twelve years as an investigative reporter with a regional newspaper north of Tokyo before becoming one of Japan's most acclaimed fiction writers. His exhaustive and relentless work ethic is known to mirror the intense and obsessive behavior of his characters, and in January 2003 he was hospitalized following a heart attack brought about by working nonstop for seventy-two hours. Six Four is his sixth novel, and his first to be published in English.

Jonathan Lloyd-Davies studied Japanese at the University of Durham and Chinese at Oxford. His translations include Edge by Koji Suzuki, with cotranslator Camellia Nieh; the Psyche Diver trilogy by Baku Yumemakura; Gray Men by Tomotake Ishikawa; and Nan-Core by Mahokaru Numata. His translation of Edge received the Shirley Jackson Award for best novel. Originally from Wales, he now resides in Tokyo.





This is Yokoyama's sixth novel, the first to be published in English. Yokoyama, the "James Ellroy of Tokyo," is known for an exhaustive and relentless work ethic. He once brought on a heart attack by working nonstop for 72 hours. This intense drive is reflected in his extremely detailed style and carefully wrought characters. Six Four succeeds on several levels: as a police procedural, an incisive character study, and a cold-case mystery. However, this takes almost 600 pages to accomplish. A seven-year-old Tokyo schoolgirl was kidnapped in 1989, the kidnapper never identified, the girl never found. For years the police felt the disgrace of their botched investigation of case Six Four. Eager for promotion, Superintendent Yoshinobu Mikami has taken on a press-director position, although his heart is still in criminal investigation. When he uncovers an anomaly in the crime reports, he digs deeper, and it doesn't take long for him to realize that some doors are locked up tight for good reason. Recommended for libraries with a devoted international mystery following. Copyright 2016 Booklist Reviews.





A bestselling Japanese crime novelist makes his American debut with a pensive but overlong whodunit that sheds light on power relations in his native country.It's 1989, the final year of Emperor Hirohito's reign, a time of portent, and a young girl has gone missing. A kidnapper calls, the police flail about, and parents and child never reunite. Time goes by, and now, in 2003, Yoshinobu Mikami is still thinking about the case, for, in a plot convenience that demands ample suspension of disbelief, his own daughter has gone missing. As Yokoyama's grim tale opens, Mikami and his wife are in the morgue, hoping against hope that the teenager lying on the table is not their daughter. "This wasn't their first time," writes Yokoyama, "in the last three months they had already viewed two bodies of Ayumi's age." Mikami is able to take a synoptic view because he had been an investigator in the earlier case, and now, reviewing the files, he sees something he had not noticed before. It's not really his place to be poking around, though, since he has been transferred to the press relations office of the police department, a job that he fears is a subtle, politically motivated demotion and a move that has soured any enthusiasm he had for being a cop. The jaded investigator is an old trope in crime fiction, but Yokoyama steals a page from Stieg Larsson by using the mystery to probe the ways the powers that be work in an apparently orderly society that masks a great undercurrent of evil and wrongdoing, much of it committed by the powerful and well-connected. So it is in this story, which takes leisurely twists into the well-kept offices of Japan's elite while providing a kind of informal sociological treatise on crime and punishment in Japanese society, to say nothing of an inside view of the police and their testy relationship with the media. Elaborate but worth the effort. Think Jo Nesbø by way of Haruki Murakami, and with a most satisfying payoff. Copyright Kirkus 2016 Kirkus/BPI Communications. All rights reserved.






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