Crank
by Ellen Hopkins









Crank
by Ellen Hopkins

Summary
Kristina Georgia Snow is the perfect daughter: gifted high school junior, quiet, never any trouble. But on a trip to visit her absentee father, Kristina disappears and Bree takes her place. Bree is the exact opposite of Kristina - she's fearless. Through a boy, Bree meets the monster: crank. And what begins as a wild, ecstatic ride turns into a struggle through hell for her mind, her soul - her life.

Characters
NameKristina Snow
GenderFemale
Age17
AttributesDrug addict
Pregnant
Addicted to crystal meth; has an alter-ego while she is under the influence; grades drop; raped by her drug dealer


Genre
Young adult fiction
Family
Psychological

Topics
Teenage girls
Drug addicts
Alter-egos
Drug addiction
Fathers and daughters
Family relationships
Rape
Drug dealers
Unplanned pregnancy
Identity

Setting
Reno, Nevada -- West (U.S.)

Time Period
2000s -- 21st century

Series
Story continued in the sequel Glass  





Kristina Georgia Snow is the perfect daughter: gifted high school junior, quiet, never any trouble. But on a trip to visit her absentee father, Kristina disappears and Bree takes her place. Bree is the exact opposite of Kristina - she's fearless. Through a boy, Bree meets the monster: crank. And what begins as a wild, ecstatic ride turns into a struggle through hell for her mind, her soul - her life.





Ellen Hopkins has been writing poetry for many years. Her first novel, Crank, also written in verse, met with critical acclaim. <p> She lives with her husband and son in Carson City, Nevada. <p> (Bowker Author Biography)





Gr 8 Up-Seventeen-year-old Kristina Snow is introduced to crank on a trip to visit her wayward father. Caught up in a fast-paced, frightening, and unfamiliar world, she morphs into "Bree" after she "shakes hands with the monster." Her fearless, risk-taking alter ego grows stronger, "convincing me to be someone I never dreamed I'd want to be." When Kristina goes home, things don't return to normal. Although she tries to reconnect with her mother and her former life as a good student, her drug use soon takes over, leaving her "starving for speed" and for boys who will soon leave her scarred and pregnant. Hopkins writes in free-verse poems that paint painfully sharp images of Kristina/Bree and those around her, detailing how powerful the "monster" can be. The poems are masterpieces of word, shape, and pacing, compelling readers on to the next chapter in Kristina's spiraling world. This is a topical page-turner and a stunning portrayal of a teen's loss of direction and realistically uncertain future.-Sharon Korbeck, Waupaca Area Public Library, WI Copyright 2004 Reed Business Information.





Nonfiction author Hopkins pens her first novel, written in verse, introducing 15-year-old narrator Kristina, who reveals how she became addicted to crank, and how the stimulant turned her from straight-A student to drug dealer, and eventually a teen mom. On a court-ordered visit to see her slimy and long-absent dad, she meets-and is instantly attracted to-Adam, who sports a "tawny six pack,/ and a smile." Soon, Adam introduces her to "the monster" (there, she also unleashes a new personality, id-driven Bree). Her addiction grows, as does Bree's control. Readers get a vivid sense of the highs and lows involved with using crank ("I needed food, sleep,/ but the monster denied/ every bit of it"). Her life changes quickly: Soon she's dating two guys, both of whom use crank; says "Fuck you" to her mom, can't keep up with school, and loses her old friends. There are plenty of dramatic moments: The first time she does crank, for example, her dad joins her. That same night, she stumbles into a bad area and is almost raped, and Adam's girlfriend tries to kill herself. Later in the book, she does get raped and starts selling the drug for the Mexican Mafia. Readers will appreciate the creative use of form here (some poems, for instance, are written in two columns that can be read separately or together), and although the author is definitely on a mission, she creates a world nearly as consuming and disturbing as the titular drug. Ages 14-up. (Oct.) Copyright 2004 Reed Business Information.





Gr. 8-12. Like the teenage crack user in the film Traffic, the young addict in this wrenching, cautionary debut lives in a comfortable, advantaged home with caring parents. Sixteen-year-old Kristina first tries crank, or crystal meth, while visiting her long-estranged father, a crank junkie. Bree is Kristina's imagined, bolder self, who flirts outrageously and gets high without remorse, and when Kristina returns to her mother and family in Reno, it's Bree who makes connections with edgy guys and other crank users that escalate into full-blown addiction and heartrending consequences. Hopkins tells Kristina's story in experimental verse. A few overreaching lines seem out of step with character voices: a boyfriend, for example, tells Kristina that he'd like to wait for sex until she is free from dreams of yesterday. But Hopkins uses the spare, fragmented style to powerful effect, heightening the emotional impact of dialogues, inner monologues, and devastating scenes, including a brutal date rape. Readers won't soon forget smart, sardonic Kristina; her chilling descent into addiction; or the author's note, which references her own daughter's struggle with the monster. --Gillian Engberg Copyright 2004 Booklist





Flirtin' with the Monster

Life was good

before I

met

the monster.

After,

life

was great.

At

least

for a little while.

Text copyright © 2004 by Ellen Hopkins

Introduction

So you want to know all

about me. Who

I am.

What chance meeting of

brush and canvas painted

the face

you see? What made

me despise the girl

in the mirror

enough to transform her,

turn her into a stranger,

only not.

So you want to hear

the whole story. Why

I swerved

off the high road,

hard left to nowhere,

recklessly

indifferent to those

coughing my dust,

picked up speed

no limits, no top end,

just a high velocity rush

to madness.

Text copyright © 2004 by Ellen Hopkins

Alone

everything changes.

Some might call it distorted reality,

but it's exactly the place I need to be:

no mom,

Marie, ever more distant,

in her midlife quest for fame

no stepfather,

Scott, stern and heavy-handed

with unattainable expectations

no big sister,

Leigh, caught up in a tempest

of uncertain sexuality

no little brother,

Jake, spoiled and shameless

in his thievery of my niche.

Alone,

there is only the person inside.

I've grown to like her better

than the stuck-up husk of me. She's

not quite silent,

shouts obscenities just because

they roll so well off the tongue

not quite straight-A,

but talented in oh-so-many

enviable ways

not quite sanitary,

farts with gusto, picks

her nose, spits like a guy

not quite sane,

sometimes, to tell you the truth,

even I wonder about her.

Alone,

there is no perfect daughter,

no gifted high-school junior,

no Kristina Georgia Snow.

There is only Bree.

Text copyright © 2004 by Ellen Hopkins

On Bree

I suppose

she's always been

there, vague as a soft

copper pulse of moonlight

through blossoming seacoast

fog.

I wonder

when I first noticed

her, slipping in and out

of my pores, hide-and-seek

spider in fieldstone, red-bellied

phantom.

I summon

Bree when dreams

no longer satisfy, when

gentle clouds of monotony

smother thunder, when Kristina

cries.

I remember

the night I first

let her go, opened the

smeared glass, one thin pane,

cellophane between rules and sin,

freed.

Text copyright © 2004 by Ellen Hopkins


Excerpted from Crank by Ellen Hopkins
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